The museum launches a monthly public programme 'Opera Evening at Solomiya's Home' — concerts by young Ukrainian opera sopranos in the authentic salon space of the memorial apartment.
In March 2026 the Solomiya Krushelnytska Memorial Museum launches the public cultural programme 'Opera Evening at Solomiya's Home'. Monthly the museum organises a chamber salon concert directly in the memorial apartment — in the very space where Solomiya rehearsed for 23 years (1929-1952). On the Bechstein piano played by the singer herself, performers — young Ukrainian opera sopranos, graduates of the School of Vocal Heritage Preservation (cross-ref Phase 3.13 workshop news) — interpret parts from Solomiya's repertoire.
Each concert programme: 1) arias from 5 key operas in Solomiya's repertoire (Aida, Cio-Cio-San, Tosca, Marguerite, Brunhilde); 2) Italian Neapolitan songs that Krushelnytska performed at encore concerts; 3) Ukrainian folk songs in vocal arrangements that Solomiya included in her programmes after returning to Lviv in 1929 as an act of national identity; 4) culmination — Aida's aria from the Verdi Act III finale — the scene that made Solomiya a La Scala star in 1898. Small format — maximum 25 viewers in the original salon space. Cross-ref Phase 3.10 Gramophone recording partnership — each concert is recorded for the archive. Cross-ref Phase 3.12 Lysenko 'Lysenko at Home' chamber concerts — common model of memorial concert-making.
