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PLAY UKRAINE MUSIC — Digital Philharmonic
Klezmer
Author: Eugene Bolshem. License: Pexels License — https://www.pexels.com/license/. Source

Klezmer

Клезмер

Audio: Klezmer

Klezmer is the festive instrumental music of Eastern European Jews that “laughs and weeps.” The soul of a tradition with deep roots in Ukraine too.

Klezmer is the traditional instrumental music of Ashkenazi (Eastern European) Jews, which for centuries sounded at weddings and celebrations. It was performed by wandering musicians — klezmorim — on fiddle, clarinet, tsymbaly, and double bass. A hallmark of the style is its extraordinary expressiveness, when the instrument seems to imitate the human voice: it “laughs,” “weeps,” sighs, and moans.

Klezmer developed in the lands of Ukraine too, interacting closely with Ukrainian folk music — the two traditions enriched one another over centuries of shared neighbourhood. Its characteristic features are “weeping” glissandos, ornamentation, and specific modes with augmented seconds. In the 20th century klezmer declined, but at the end of the century it underwent a vigorous worldwide revival. Today it is a bright, recognizable voice of the centuries-old cultural heritage of Central and Eastern Europe.

Historical artifact

Klezmer
Eugene Bolshem · Pexels License — https://www.pexels.com/license/ · Source

Modern incarnation

Klezmer
Zsolt Bodnár · Pexels License — https://www.pexels.com/license/ · Source
Video: Klezmer

Cultural Versus

Historical: Klezmer
Eugene Bolshem · Pexels License — https://www.pexels.com/license/
Modern: Klezmer
Eugene Bolshem · Pexels License — https://www.pexels.com/license/

Klezmer

Sub-category:
world

Klezmer is the festive instrumental music of Eastern European Jews that “laughs and weeps.” The soul of a tradition with deep roots in Ukraine too.

Historical: Expressionism
Marcelo Chagas · Pexels License — https://www.pexels.com/license/
Modern: Expressionism
Marcelo Chagas · Pexels License — https://www.pexels.com/license/

Expressionism

Sub-category:
classical

Expressionism (1900–1930s) is the music of extreme inner states — anxiety, terror, ecstasy. Schoenberg, Berg, and Webern — the “Second Viennese School” — abandoned tonality as the basis of musical language.

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