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PLAY UKRAINE MUSIC — Digital Philharmonic
Renaissance
Author: Aramis Cartam. License: Pexels License — https://www.pexels.com/license/. Source

Renaissance

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Audio: Renaissance

The Renaissance (15th–16th centuries) is the era when polyphonic choral art, madrigals, and independent instrumental music flourished. The golden age of Western vocal polyphony.

Renaissance music is the art of intricate polyphony, in which four, six, or eight voices interweave like threads in a luxurious tapestry. Composers Josquin des Prez, Palestrina, Orlando di Lasso, and William Byrd raised choral singing to peaks that remain exemplary today.

Genres include the mass, motet, and madrigal (a secular vocal form of Italian origin). The first instrumental forms appeared — ricercar, canzona, variations on dance themes. In Ukraine, the Renaissance tradition flourished in Lviv and Kyiv — in brotherhood schools, where partes polyphony arose (which later prepared the ground for the Classical-era choral concertos of Bortniansky and Vedel).

Historical artifact

Renaissance
Aramis Cartam · Pexels License — https://www.pexels.com/license/ · Source

Modern incarnation

Renaissance
Helena Jankovičová Kováčová · Pexels License — https://www.pexels.com/license/ · Source
Video: Renaissance

Cultural Versus

Historical: Renaissance
Aramis Cartam · Pexels License — https://www.pexels.com/license/
Modern: Renaissance
Aramis Cartam · Pexels License — https://www.pexels.com/license/

Renaissance

Sub-category:
classical

The Renaissance (15th–16th centuries) is the era when polyphonic choral art, madrigals, and independent instrumental music flourished. The golden age of Western vocal polyphony.

Historical: Ars Nova
cottonbro studio · Pexels License — https://www.pexels.com/license/
Modern: Ars Nova
cottonbro studio · Pexels License — https://www.pexels.com/license/

Ars Nova

Sub-category:
classical

Ars nova (“the new art,” 14th-century France and Italy) is a revolution in rhythm and notation that gave music independence from words. The age of Guillaume de Machaut and Francesco Landini.

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